 | Welcome | Oct 12, 2006 |
Music performed by the following acoustic & electric bass players:
| Helios | | Soliloquy | | Michael Manring | | | Excuse me, Mr. Manring | | Soliloquy | | Michael Manring | | | Solipsism | | Soliloquy | | Michael Manring | | | I left America | | Soliloquy | | Michael Manring | | | Greetings, Earthlings | | Soliloquy | | Michael Manring | | | Makes perfect sense to me | | Soliloquy | | Michael Manring | | | The light which puts out our eyes | | Soliloquy | | Michael Manring | | | A morning star | | Soliloquy | | Michael Manring | | | Selene | | Soliloquy | | Michael Manring | | | Dabuda's memory | | Soliloquy | | Michael Manring | | | When we were asleep in the earth | | Soliloquy | | Michael Manring | | | The Orffyreus Wheel | | Soliloquy | | Michael Manring | | | Insomnia lessons | | Soliloquy | | Michael Manring | | | Come with me, my love | | Soliloquy | | Michael Manring | |

Dave Holland - bass Steve Coleman - reeds | Ah-Leu-Cha | | Phase Space | | Steve Coleman & Dave Holland | | | Dream of the Elders | | Phase Space | | Steve Coleman & Dave Holland | | | Syzygy | | Phase Space | | Steve Coleman & Dave Holland | | | Cud Ba-Rith | | Phase Space | | Steve Coleman & Dave Holland | | | Little girl I쨈ll miss you | | Phase Space | | Steve Coleman & Dave Holland | | | See saw | | Phase Space | | Steve Coleman & Dave Holland | | | Straight ahead | | Phase Space | | Steve Coleman & Dave Holland | | | In Brief | | Phase Space | | Steve Coleman & Dave Holland | | | Presience | | Phase Space | | Steve Coleman & Dave Holland | | | covers rename mp3 into zip | | | | | |

Carlie Haden - bass Kenny Barron - piano | Twilight song | | Night and the city | | Charlie Haden & Kenny Barron | | | For Heaven's sake | | Night and the city | | Charlie Haden & Kenny Barron | | | Spring is here | | Night and the city | | Charlie Haden & Kenny Barron | | | Body and soul | | Night and the city | | Charlie Haden & Kenny Barron | | | You don't know what love is | | Night and the city | | Charlie Haden & Kenny Barron | | | Waltz for Ruth | | Night and the city | | Charlie Haden & Kenny Barron | | | The very thought of you | | Night and the city | | Charlie Haden & Kenny Barron | |
 | VIX | Jun 26, '08 7:25 AM by Aldo for everyone |
The New Album VIX | 2timers | | Palmystery | | Victor Wooten | | | Cambo | | Palmystery | | Victor Wooten | | | I Saw God | | Palmystery | | Victor Wooten | | | The Lesson | | Palmystery | | Victor Wooten | | | Left, Right, & Center | | Palmystery | | Victor Wooten | | | Sifu | | Palmystery | | Victor Wooten | | | Miss U | | Palmystery | | Victor Wooten | | | Flex | | Palmystery | | Victor Wooten | | | The Gospel | | Palmystery | | Victor Wooten | | | Song For My Father | | Palmystery | | Victor Wooten | | | Happy Song | | Palmystery | | Victor Wooten | | | Us 2 | | Palmystery | | Victor Wooten | |

Glen Moore - bass | Oxeye | | Dragonetti's Dream | | Glen Moore | | | Beautiful Swan Lady | | Dragonetti's Dream | | Glen Moore | | | If You Can't Beat 'Em, Beat 'E | | Dragonetti's Dream | | Glen Moore | | | Red And Black | | Dragonetti's Dream | | Glen Moore | | | Dragonetti's Dream | | Dragonetti's Dream | | Glen Moore | | | Jade Visions | | Dragonetti's Dream | | Glen Moore | | | Walcott's Pendulum | | Dragonetti's Dream | | Glen Moore | | | Enter The King | | Dragonetti's Dream | | Glen Moore | | | Vertebra | | Dragonetti's Dream | | Glen Moore | | | Travels With My Foot | | Dragonetti's Dream | | Glen Moore | | | Appalachian Dance | | Dragonetti's Dream | | Glen Moore | | | Four Queasy Pieces | | Dragonetti's Dream | | Glen Moore | | | Fat Horse | | Dragonetti's Dream | | Glen Moore | | | Burning Fingers | | Dragonetti's Dream | | Glen Moore | | | Put In A Quarter | | Dragonetti's Dream | | Glen Moore | |
 Nicky Skopelitis - guitar Bill Laswell - bass Graham Haynes - cornet Amina Claudine Myers - Hammond B3 Aiyb Dieng - percussion Hamid Drake - drums | Intro | | Fabrik, Hamburg, Germany - 1998-04-22 | | Bill Laswell's Sacred System | | | Sacrament Part I / Tarab / Sacrament Part II | | Fabrik, Hamburg, Germany - 1998-04-22 | | Bill Laswell's Sacred System | | | Meet Your Maker | | Fabrik, Hamburg, Germany - 1998-04-22 | | Bill Laswell's Sacred System | | | Proud Flesh | | Fabrik, Hamburg, Germany - 1998-04-22 | | Bill Laswell's Sacred System | | | Organic Improvisations / One Eye Open | | Fabrik, Hamburg, Germany - 1998-04-22 | | Bill Laswell's Sacred System | | | Black Lotus | | Fabrik, Hamburg, Germany - 1998-04-22 | | Bill Laswell's Sacred System | |
|  | Arturo Tunçboyaciyan, percussion and vocals Carla Bley, hammond organ Rabih Abou Khalil, oud Steve Swallow, electric bass Glen Moore, bass and piano |

Line up: Cedar Walton, Eric Gale, Gene Bertoncini, Grady Tate, Harumi Kaneko, Lewis Nash, Ron Carter | I'm Walkin' | | I'm Walkin' | | Harumi Kaneko & Ron Carter | | | Sweet Georgia Brown | | I'm Walkin' | | Harumi Kaneko & Ron Carter | | | Gee Baby, Ain't i Good to You | | I'm Walkin' | | Harumi Kaneko & Ron Carter | | | Sqoatty Roo | | I'm Walkin' | | Harumi Kaneko & Ron Carter | | | Moanin' | | I'm Walkin' | | Harumi Kaneko & Ron Carter | | | Cute | | I'm Walkin' | | Harumi Kaneko & Ron Carter | | | Baby, Won't You Please Come Home | | I'm Walkin' | | Harumi Kaneko & Ron Carter | | | In a Mellow Tone | | I'm Walkin' | | Harumi Kaneko & Ron Carter | | | What a Little Moonlight Can Do | | I'm Walkin' | | Harumi Kaneko & Ron Carter | | | Take The A Train | | I'm Walkin' | | Harumi Kaneko & Ron Carter | |
|  | Line up: Cedar Walton, Eric Gale, Gene Bertoncini, Grady Tate, Harumi Kaneko, Lewis Nash, Ron Carter |

Paolo Damiani (contrabbasso, violoncello) Gianluigi Trovesi (sax contralto, clarinetti) Javier Girotto (flauto, sax soprano, sax baritono) Diana Torto (voce) Danilo Rea (pianoforte, fisarmonica) Bebo Ferra (chitarre) Walter Paoli (batteria) | Dirindena | | Al tempo che farà | | Paolo Damiani | | | Respiri Di Tempo | | Al tempo che farà | | Paolo Damiani | | | Occhi Musicale | | Al tempo che farà | | Paolo Damiani | | | Sentieri Smarriti | | Al tempo che farà | | Paolo Damiani | | | Non Potho Reposare | | Al tempo che farà | | Paolo Damiani | | | Andante Dolce | | Al tempo che farà | | Paolo Damiani | | | In Un Tempo Lontano | | Al tempo che farà | | Paolo Damiani | | | Rare | | Al tempo che farà | | Paolo Damiani | | | In Un Tempo Vicino | | Al tempo che farà | | Paolo Damiani | | | Villanella | | Al tempo che farà | | Paolo Damiani | | | Dirindena Stasera | | Al tempo che farà | | Paolo Damiani | |
APE - remove .mp3Trey Gunn - 8 and 12 string Warr Guitars, Chapman Stick Toyah - Vocal Alice - Vocal Serpentine - Vocal Bob Muller - Drums, Tabla, Bandir, Percussion, Cluster Flutes Pat Mastellotto - Drums, Percussion | 01 Dziban.ape | | | | | | | 02 Symbiotic Bit Of Ruff.ape | | | | | | | 03 Arrakis.ape | | | | | | | 04 Sirrah.ape | | | | | | | 05 The Third Star.ape | | | | | | | 06 Acquiring Canopus.ape | | | | | | | 07 Kaffaljidhma.ape | | | | | | | 08 Yad Al-Gawza.ape | | | | | | | 09 Kuma.ape | | | | | | | 10 Indira.ape | | | | | |
APE - remove .mp3Slava Ganelin - grand piano, percussion Vladimir Volkov - double bass Track listing: 1; 2; 3; 4; 5. Ne Slyshno is a spontaneous live studio recording from September 2005 that brings together two bold thinking improvisers who surpass any definition of genre or style: Israeli (of Russian descent) composer/pianist Slava Ganelin and Russian double bassist Vladimir Volkov. Ganelin needs no introduction as one of the pioneers of the free improvised scene that emerged from former Soviet Russia. Volkov has been playing with modern ensembles such as the Collegium Europe and The Moscow Composers Orchestra, collaborated with like-minded musicians including Ned Rothenberg, Ernst Reijseger, Tomasz Stanko and Bobo Stenson, and with his partners in his Priority Trio, Klaus Kugel and Petras Vysniauskas. | Track01.ape | | | | | | | Track02.ape | | | | | | | Track03.ape | | | | | | | Track04.ape | | | | | | | Track05.ape | | | | | |
 Label Bleu
Henri Texier - double-bass, percussion; Glen Ferris - trombone; Tony Rabeson - drums; Bojan Zulfikarpasic - piano, Fender rhodes; Michel Portal - bandoneon; Louis Sclavis - clarinet, sopranos saxophone By the way - Why " Quartet"? 1. Lundi (Merlin/Texier) [:07] 2. Laguna Veneta (Merlin/Texier) [4:50] 3. Mardi (Merlin/Texier) [:22] 4. Stanislas (Merlin/Rabeson) [6:18] 5. Mercredi (Merlin/Texier) [:23] 6. Cyclosis (Merlin/Ferris) [8:20] 7. Jeudi (Merlin/Texier) [:21] 8. Indians/Desaparecido (Merlin/Texier) [11:55] 9. Simone Signoret (Merlin/Texier) [5:16] 10. Vendredi (Merlin/Texier) [:22] 11. Amazone Blues (Merlin/Texier) [8:27] 12. Samedi (Merlin/Texier) [:20] 13. Tzigane (Merlin/Texier) [:43] 14. Mashala (Merlin/Zulfikarpasic) [9:22] 15. Samedi Soir (Merlin/Texier) [:20] 16. The Bridge (Merlin/Rollins) [3:20] 17. Dimanche (Merlin/Texier) [:22] 18. Don't Buy Ivory, Anymore! (Merlin/Texier) [5:10] 19. Dimanche Soir (Merlin/Texier) [:21] 20. Laguna Laita (Merlin/Texier) [7:25] 21. Lundi (Merlin/Texier) [:07] In the early '90s, Henri Texier went on to form a new quartet (Azur) around a new rhythm section featuring pianist Bojan Zulfikarpasic and drummer Tony Rabeson. At the time, the combo was rounded out by the very much underrated Glenn Ferris on trombone. An Indian's Week documents the first steps of this quartet and, on a couple of tracks, also showcases two pillars of French jazz — Michel Portal on bandoneon and Louis Sclavis on clarinets and soprano saxophone. The album can easily be remembered as the birth of one of France's best and tightest rhythm sections. It is also a great opportunity to hear at full length Glenn Ferris, a versatile and sensitive musician, exploring all the different aspects of his instrument. The program is composed of compositions penned by all bandmembers, plus a colorful and breakneck rendition of Sonny Rollins' "The Bridge." Despite this variety, this is an extremely cohesive set because of the original sound the quartet have already developed. The highlight is Texier's own "Indians/Desaparecido," a slow and dark piece in which Ferris' wah-wah style works surprisingly well when pitted against Sclavis' glistening clarinet. The overall mood oscillates between playful and mournful moments, with pieces that reflect Texier's political and social concerns. An Indian's Week marks a turn in Henri Texier's career and is a first step in the right direction. ~ review by Alain Drouot
Links will be added later |  | Julia Hülsmann, piano Marc Muellbauer, bass Rainer Winch, drums
2000, Bit |

Julia Hülsmann, piano Marc Muellbauer, bass Rainer Winch, drums 2000, Bit | Blau grün grau | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | Blick auf meer | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | Strip it! | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | Invitation | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | King of pain | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | Mit kr臧en | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | Caravan | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | Quiet now | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | Sun on your face | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | Besame mucho | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | Itエs silly, isnエt it? | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | | | Corinne & Rufus | | Trio | | Julia Hülsmann, Marc Muellbauer, Rainer Winch | |

Michel Benita (basso acoustico e elettrico; chitarra; tastiere; percussioni; voce; samples; FX; vocoder computer; programming e treatment) Stephanie McKay (voce) Jalal The Grandfather of Rap (Revolutionary Arts Proverbalization) (voce e Spoagrapics) Nils-Petter Molvær (tromba) Dhafer Youssef (oud; voce) Pierre De Bethman (Fender Rhodes) Stéphane Guillaume (flauti; clarinetto basso) Kpt'n Planet (Pipon Garcia) (batteria; FX; vocals) Ingrid Rieber (spoken word) | This Is The Moment | | Drastic | | Michel Benita | | | Kpt'n | | Drastic | | Michel Benita | | | Sky Screen | | Drastic | | Michel Benita | | | Something's Wrong | | Drastic | | Michel Benita | | | Drastic Tone | | Drastic | | Michel Benita | | | Alles Ist Moglich Intro | | Drastic | | Michel Benita | | | Alles Ist Moglich | | Drastic | | Michel Benita | | | Made Already | | Drastic | | Michel Benita | | | Steel Flow | | Drastic | | Michel Benita | | | Translating | | Drastic | | Michel Benita | | | Dub Team | | Drastic | | Michel Benita | | | Sky Screen (instrumental) | | Drastic | | Michel Benita | | | Whispering | | Drastic | | Michel Benita | | | (Bonus Track) | | Drastic | | Michel Benita | |
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